Some days, when the circumstance calls for it, the human being stops being just a human being. The marvelous takes over.
The Dream of Animality: one of the most ancient obsessions of human consciousness (the first gods were beasts). Myths of flight, of synchronous movement, muscular symmetry
The Dream of Monstrosity: another of the most ancient obsessions of human consciousness (the first villages had their folklore of supernatural creatures threatening from the periphery). Myths of devouring jaws, of nightmarish forms
The Dream of Night: a third ancient obsession of human consciousness (birthplace of the marauder, the highwayman, and the vigilante). Myths of the shadow and of the pitch-black; myths of nothingness and darkening
A display of ‘technical wizardry’. Magic, they say. The eyes blink when tired. The lungs inflate and deflate in synchronicity. A theatrical procession that appears only where geographical spaces meet with ancient myth.
For the mirage is a form of desert sorcery that combines all the many experiences of unreality, manipulating imaginary states as if they were the different steps of a ladder: the dream, the nightmare, the hallucination, the fantasy, the vision, and the simulation.
The masters often bring another conceptual identity into their midst: the mercenary. The mercenary is a paid figure, a hired gun always highly skilled in war, her body purchased to do what no other is willing, to kill or die in the same breath, but this also makes her an unbound being, mercurial and disconnected, moving without facial expression or emotional pulse, like a sleepwalker with vacant eyes.