This rising trend of building silk rooms takes us into the heart of the fabric’s own paradox: on the one hand, a material of fragility, softness, and smoothness (the fine threads); on the other hand, a force of entanglement, tightness, and constriction (the spider’s web).
We see a box which is empty but which emanates light. Through this emanation, the radiating light, a new surface is created (projected on the walls), and the entire space is filled with intricate patterns.
1:1. One decomposing body, one tree…It is the constraint of one body with one set of roots and the resulting production of an exact exchange between death and life that thrills (could there be justice in death?) and horrifies (will we be held accountable for life, in death too?).
He has all the agency or importance of someone condemned to watch a tidal wave: he can only stare forward.
This is the work of a new butcher, one that has certainly learned from the old masters, but then in silent solitude went to invent her own counter-procedure
Artificial primordialism; hypothetical exodus; prophetic wilderness.
We see corpses every day in images meant to document, record, perhaps to incite. In case your death was sudden or horrible, with no time to reflect. “Has this class has been too long for you?” she softly asks the dead.
Some days, when the circumstance calls for it, the human being stops being just a human being. The marvelous takes over.
The Dream of Animality: one of the most ancient obsessions of human consciousness (the first gods were beasts). Myths of flight, of synchronous movement, muscular symmetry
The Dream of Monstrosity: another of the most ancient obsessions of human consciousness (the first villages had their folklore of supernatural creatures threatening from the periphery). Myths of devouring jaws, of nightmarish forms