Region/Concept: Europe, Myth
Sub-Concepts: Fright, Malevolence, Extremity, Otherworldliness
Description: Danish artist John Kenn Mortensen draws images of monsters on post-it notes.
The Dream of Monstrosity: another of the most ancient obsessions of human consciousness (the first villages had their folklore of supernatural creatures threatening from the periphery). Myths of devouring jaws, of nightmarish forms and disproportionate limbs, of evil and miraculous traits. Ecstatic malevolence; diabolical thought; otherworldliness. Thus we descend upon the cellar stairs of our exhilaration before images of fright, paralysis, awe, and deformity. The monster has always represented the excess of human possibility, the visceral ghoulish embodiment of man-gone-too-far. This is why they resemble us in certain key ways (our eyes, our hands), and yet deviate toward horrid states of expansion, magnification, or irradiation (the pupils are too bloodshot, the nails are too long). Still, it is through this hyper-mirror alone that we can envision ourselves as the lost cause, and at the point of no return; for the monster’s face, the monster’s body, is nothing more than the extreme limit of our own mortal intensity (and thus made immortal).