The master learns to orchestrate oblivion (realms of obscurity, forgetting, disappearance). She plays at nothingness like a music box, knowing when time must perish of itself.
The masters learn to orchestrate miracles involving Movement. These include the ability of flight, the ability of teleportation (jumping in space) or surface-climbing (walking on water or up walls), and the abilities of Invisibility or Disappearance.
The masters have always been connected to the realm of miracle, and the first miracles revolve around Time. These include the ability of Time-Travel, the ability of Premonition (or seeing the future), and the abilities of Necromancy or Resurrection (to raise the dead or to bring oneself back from death).
The master trains his followers toward a state of extreme tightness. He binds them to exist in supremely rigid circles, feasting at the same table, sleeping in the same quarters, his disciples laced together in webs of mortal harmony.
The master must establish a sanctuary at far distances, somewhere in the hills, the caves, the subterranean lairs, a remote island, desert, jungle, or sea.
The masters were the ones of otherworldly features, like no others, beyond all others… at once visionaries, liars, sorcerers, thieves, seducers, and assassins… a riddle broken into many pieces here.
This rising trend of building silk rooms takes us into the heart of the fabric’s own paradox: on the one hand, a material of fragility, softness, and smoothness (the fine threads); on the other hand, a force of entanglement, tightness, and constriction (the spider’s web).